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From the laying of its foundation stone in 1163, the building of the cathedral took nearly two centuries. It covered the construction of Notre-Dame Cathedral, highlighted events there in the centuries that followed, and detailed its restoration after the 2019 fire. The interactive high-tech exhibit provided an augmented reality immersion into the 850-year history of the cathedral and its ongoing restoration.

The French architects’ lecture that evening was hosted by the National Building Museum, where “Notre-Dame de Paris: The Augmented Exhibition” was on display April 15-Oct. They replicated the traditional building methods used when the cathedral was built in the Middle Ages, 800 years earlier, based on blueprints provided by Notre-Dame architects.Īs they had done a year earlier, the CUA students, faculty, Handshouse Studio representatives and other volunteers raised the replica truss on the University Mall next to the Basilica of the National Shrine of the Immaculate Conception.Ĭatholic University also hosted a panel discussion about the cathedral’s restoration and an exhibit in its Crough Center for Architectural Studies that included student-designed replicas of Notre-Dame Cathedral and its elements, including its famous flying buttresses. That 45-foot-wide by 35-foot-high replica truss had been hand-hewn and built on campus in 2021 by faculty and students from Catholic University’s School of Architecture and Planning and by volunteers from the education nonprofit Handshouse Studio. The two French architects came to Washington on a day when a full-sized replica of the cathedral’s truss was raised on the campus of The Catholic University of America. “We are confident that the deadline of five years, introduced by the French president, is still possible,” he said.įrance President Emmanuel Macron had set a goal for the cathedral to be restored by 2024, the year Paris will host the Summer Olympics. Villeneuve explained that a third French architect, Pascal Prunet, has connected the cathedral with universities and groups focusing on its components, its structure and its history, studying its burned remains to better understand the cathedral as the restoration work progresses. “He is responsible for the roof,” he said of his colleague. He noted that before the fire, Fromont and a colleague had made the most complete hand-drawn survey of the roof to be done, and it has proven invaluable in reconstructing the cathedral’s wooden roof framework. Villeneuve thanked those in the museum audience, saying: “It is amazing to see, 6,000 kilometers away from Paris, the same spirit that we ourselves have for Notre-Dame ourselves.” 26 lecture was titled “Notre-Dame de Paris: Restoring a Legacy.”Ī February 2022 cover story in National Geographic magazine noted that Villeneuve has led restoration efforts at Notre-Dame Cathedral since 2013, work that became urgent after the April 2019 fire. Their remarks were delivered in French and translated live into English by Lindsay Cook, assistant teaching professor of architectural history in the Department of Art History at Pennsylvania State University. Villeneuve, the chief architect of historic monuments in charge of the cathedral, was joined by his colleague Rémi Fromont, also a chief architect of historic monuments there. He spoke during a recent program at the National Building Museum on the project to restore the cathedral nearly three and a half years after a calamitous fire engulfed its roof and collapsed the spire.
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